Maier's striking monochrome images, shot on a twin-lens Rolleiflex, are mostly street shots taken in Chicago and New York in the 1950s and 1960s, and Finding Vivian Maier, a deftly constructed and edited movie, gives a very good account of the work. The portrait of the artist is more problematic. The filmmaker tracks down people who knew her, mostly the former employers or charges of her career as nanny, governess and caregiver. But their memories are striking for their divergence - even the spelling of her name is contested - and often directly contradictory.
The film looks into a plainly troubled life, without uncovering it completely, which is how Maier - reclusive, secretive, eccentric, obsessive - would doubtless have liked it.
The case is not even conclusive that she wanted her photographs to be seen, but it is hard to regret that we are seeing them.
Excellent documentaries in recent years have examined the lives and work of photographers: Dorothea Lange, James Nachtwey, Tim Hetherington and Annie Leibovitz. This is an engrossing addition to the field and deserves seeing on the big screen.
- TimeOut