Frederic Tcheng, who co-directed Diana Vreeland: The Eye Has to Travel and co-produced Valentino: The Last Emperor, steps out with his solo directing debut, Dior and I.
Although Tcheng's previous films told the personal stories of fashion legends, Dior and I is strictly business, taking us behind the scenes of Christian Dior's new artistic director Raf Simons' first ever haute couture collection. The level of access is impressive, and surprising.
Simons begins his job only eight weeks before the collection is to premiere, hasn't previously designed haute couture and, as we discover, is clearly not keen on the limelight.
Despite this, Simons allows Tcheng to be a fly-on-the-wall throughout the process, and although we don't ever get to know him personally we do get an insiders' look into the way he works.
Unlike most designers, Simons doesn't draw; rather, he folds fabric on live models and prepares mood sheets with photos, fabric and art work references.