With Ngatai-Melbourne, we witness the spark of an indomitable spirit. With McDowell, we see Whina speak up where women traditionally weren't allowed to - and endure the consequences.
We learn about the love of her life, second husband Bill Cooper (Vinnie Bennett, enriching a relatively small role with considerable depth) and are party to the beginnings of Cooper's activism, informed as much by practicality and pragmatism as passion.
Moving to Auckland after Bill Cooper's death, Whina takes on the cause of impoverished urban Māori with a get-it-done attitude that ruffles further feathers.
With Owen, we see Whina inspiring Māori youth in the resurgent land rights movement, culminating in the legendary 1975 hikoi, an especially cinematic event informed by the filmmakers artfully integrating actual footage from the time into the movie. It carries a lot of weight.
The episodic nature of the storytelling means Whina herself remains somewhat enigmatic, but McDowell and Owen do much to humanise this towering figure in smaller moments.
If the goal was to capture a sense of her mana in cinematic form, then co-directors James Napier Robertson (The Dark Horse) and Paula Whetu Jones (Waru) have very much achieved that.
By the time the credits roll, there's no denying the power of their subject – you feel it in your gut.
Cast: Rena Owen, James Rolleston, Miriama McDowell
Directors: Paula Whetu Jones, James Napier Robertson,
Running time: 112 minutes
Rating: PG (Violence)
Verdict: Modern resonance abounds in this powerful evocation of a complex leader.