There's much that is worryingly familiar about the Swedish hit and the country's Foreign Language Oscar candidate, A Man Called Ove.
Our titular guy spends much of his time talking to the headstone of his late wife; He keeps on attempting suicide, only for life to intrude on his deathwish; He's another movie curmudgeon who has his heart melted by exposure to children or those in need of his deep-buried compassion or wisdom.
But despite all that, Ove is still a winning combo of black comedy and melancholic melodrama with a Scandinavian twist or three.
There are not many films that include a running debate on the relative merits of Volvo v Saab and give a through-the-decades history of the marques.