Every generation gets its own big-screen version of timeless epics such as The Three Musketeers, from Richard Lester's 70s two-parter to the Gene Kelly-starring 1948 opus. The latest cinematic incarnation of Alexander Dumas' swashbuckling romp, presented in spectacular 3D, is enhanced by a retro-tech sheen as air-bound dirigibles replace the customary battleships.
"The Three Musketeers is such a classic and, like a lot of classics, it's been adapted again and again," says director Paul W.S. Anderson. "People have been making movies out of The Three Musketeers for almost 100 years now but the difference between them all is that they're told in a slightly different way to reflect the times that they're made in. We're in a post-Pirates of the Caribbean-style world right now, where certain period movies have slightly hyper-real, modern-day settings."
Renowned for high-octane action flicks Resident Evil and Mortal Kombat, the Newcastle-born 46-year-old is making his first historical outing with The Three Musketeers.
Working from a script by British costume drama expert Andrew Davies (the BBC's Pride and Prejudice and Little Dorrit) and Predators' Alex Litvak, Anderson claims to have stayed fairly faithful to the 1844 novel. "We've taken a lot of what was great about the book," he claims. "It's a cracking story and the themes of the book are also the themes of the movie, which are friendship, loyalty, love and camaraderie.
It's a classic 'all for one and one for all'. Those themes never date, which is why the book still has currency over 150 years after it was written. We didn't want to mess with that but what we've done is introduce this modern gloss, which is where the visual effects, the airships and the slightly heightened action scenes come in."