Have you seen Mother! yet? If not (and if you plan to), stop reading, because we're about to take a deep dive into the movie's finale, when an intimate psychological thriller transforms into the cinematic version of the debaucherous hellscape from The Garden of Earthly Delights.
You may have seen this coming, and not just because writer-director Darren Aronofsky loves to make audiences squirm. When the drama hit the festival circuit, it was divisive. Anthony Bourdain attended an early secret screening and declared that it was going to upset people. And it did. At the premiere in Venice, its closing credits were met with a mixture of boos and fervent applause, and the critical response has been similarly conflicting. Even the movie's star, Jennifer Lawrence, said that when she first saw it, her reaction was, "we took it too far". But later, she changed her mind. "We have a message and if we watered it down to make people comfortable then what's the point?"
And what scene sent her over the edge? Perhaps the moment her character's baby is taken from her, forced to crowdsurf above a sea of crazed zealots, then murdered and eaten. Aronofsky's movies tend to have imagery that can never be unseen no matter how badly you might want to wipe your mental hard drive. Like Ellen Burstyn's jittery meltdown in Requiem for a Dream or the dreaded Black Swan hangnail.
Mother! is going to be too much for some, given that there's no bigger movie taboo than killing a child, especially a baby.
But it's not the only disturbingly unforgettable moment. Other horrifying contenders include Kristen Wiig ordering hooded people to lie down, then shooting them; a kindly cop in riot gear getting his face blown off; and Lawrence's character (known only as mother, lowercase and all) setting herself on fire.