Perry's Roar seems to lend itself more to mass arm-waving rather than dancefloor grooving, with its slightly slower tempo. It's the kind of self-empowerment anthem that will have you seat-dancing in the car rather than jumping at the gym. Gaga's Applause, on the other hand, seems custom-made for aerobics classes, running playlists, and sweaty nights out clubbing. It's the kind of heart-pumping, steamrolling, ear-worming tune that makes you forget how any other song goes. I can't even remember Roar after listening to Applause.
Have we heard it all before?
They both get docked a couple of points here because they've both managed to inspire accusations of plagiarism.
Roar has been compared to singer songwriter Sara Bareilles' latest hit Brave, while Gaga found herself being compared to Madonna once more, with Applause said to sound like Girl Gone Wild.
Though using an inflammatory term like plagiarism might be overstepping the mark, there are certainly similarities in the rhythmic patterns and chord progressions, so yep, we've heard them before. But what is pop music these days if not cut-up versions of songs that have come before?
How intriguing was the promo campaign?
Perry kicked things off nicely with a series of short YouTube clips hinting at a brand new Katy. First she burned the blue wig that was a key part of her Teenage Dream imagery, then staged a funeral for her former persona. Next was a creepy white cat eating a feathery toy and roaring into the camera, and finally we saw Perry walking into the studio in heavy black boots and a blue satin jacket with a tiger on the back - kinda like the one Ryan Gosling wore in Drive. So, it's no more Miss Nice Girl from Perry. It was a clever way to tease fans, though she's let things slide with the annoying lyric video for Roar, all typed on a smartphone with emoticons flashing at you.
Gaga has also been very busy, releasing a chameleonic range of new imagery, creating an Artpop app, posting endless revealing photos and lyrical snippets, along with a behind-the-scenes lyric video, and then the official Applause video itself. It's a whirling mash of art references (Botticelli and Miro among them), a giant top hat, a cage, billowing white sheets, her head on a black swan, a "handkini", and Gaga writhing on a mattress. Apparently it has something to do with the moment she broke her hip. Despite its weirdness, it's still kind of entrancing.
Does it live up to the hype?
Perry claimed to be changing her tune a bit and delving into darker material, while Gaga declared that she was turning pop music into art. Both of them are good enough singles, catchy and well-produced, but nothing revelatory or game-changing, especially when it comes to the lyrical content. So frankly, despite the fact that it looks like Applause is the better track (and video), the hype is bigger than both songs. But that's not going to stop them from sticking to the top of the charts for weeks.
