5 What have been the challenges of being a woman in the entertainment industry and have those changed in the 44 years you've been in the business?As a young female singer, I did as I was told but I never felt taken advantage of or pushed around. A good work ethic, professionalism and always bringing my A game is important to me, although my perfectionist side has sometimes proved more of a stress than an attribute. As a solo artist, I've always been responsible for my own career decisions, repertoire, costuming and presentation. These days I love sharing that load with the Lady Killers, our girl band of Jackie Clarke, Suzanne Lynch and myself. The synergy and ease between us is very satisfying. We've earned it.
6 How did you manage all the travel while your kids were little?
During those musical theatre years my husband Wayne was also very busy running his own business, so I hired live-in nannies. Sometimes I struck gold and other times the kids were very vocal in saying, 'Get someone else!' I did feel guilty being away from them but they're adamant that they had it better than their mates – they had parents plus a nanny. I'd fly back to Auckland for one night most weeks and occasionally the nanny would bring them to me in Wellington or Christchurch.
7 You've just turned 60. How do you stay looking so young?
I keep up with the best in skincare, natural hormones and supplements. Keeping weight off is harder as we age; I've had to be more vigilant about diet and exercise. One thing I can't go without is makeup. I've learnt dewy makeup is an older woman's best friend - too much powder sits in the creases. I love face treatments. My current favourite is dermaplaning, where your face is shaved with a scalpel, and I've had the odd vampire facial – both excellent treatments.
8 Have your career objectives changed with age?
I've been actively following my social conscience over the past five years and discovered the songwriter in me - I never thought I had that particular talent. Writing the songWalk Awaywas fuelled by a need to raise awareness of domestic violence and family harm. Writing it was cathartic -all of a sudden I was able to relay a message in a song which I offered to Women's Refuge.
9 What inspired you to write the song Another Little One?
Listening to a news item about the death of 3-year-old Moko Rangitohiriri, I thought about all of our tamariki who have died this way. It upset me so much that I sat down and wrote the song overnight. It's my way of saying, 'Listen up, feel the pain and help stamp out child abuse'. I offered the song to Shine knowing it would help raise awareness of their incredible work.
10 How did you get involved in the Manukau Police Choir?
I sang at a police event where Ngā Pirihimana o Tamaki Makaurau were also performing. They loved the message inWalk Awayand asked me to teach it to them. We released a joint recording online as their Christmas/New Year message; sadly this period is always their busiest with family harm. I kept going along to choir practice and became an honorary member. It's been a joyous and satisfying relationship.
11 You run your own 'Power of Song' workshops in prisons. How do the inmates respond?
From the first trial in Wiri Women's Prison, I felt immediately at ease teaching the wāhine who wanted to be there. Not only did the harmonies get in, so did the messages in my songs. I found them completely dropping their guard and committing to a learning, fun-filled experience. The first workshop was so successful, Corrections agreed to a five-year contract with Wiri Women's, Auckland Men's, and Ngawha Prison in Kaihohe. Being able to bring the police choir into prison to perform with the inmates' choir will remain a career highlight.
12 What can people expect from your show in Takapuna on Saturday night?
A musical journey celebrating songs, people and moments that have helped cement my career. Celebrating 40 years since the Pacific Song Contest is important to me. It was a song writer's competition and Carl Doy wrote it. He'll be performing at the Pumphouse with me, along with guest artists and musicians who I've worked with over the years. I'm a tad nervous but I in truth, I can't wait! I suspect this will be the last hurrah.
Tina Cross and Carl Doy, A Salute to Nothing But Dreams, The Pumphouse Theatre, Takapuna, Friday 25 October.