That elevator fight with Solange? "You egged Solange on / Knowing all along / All you had to say you was wrong," he raps to Beyonce on that opening track. Becky with the good hair? "Yeah, I'll f*** up a good thing if you let me / Let me alone, Becky," he declares on Family Feud. That beef with Kanye? "You ain't the same, this ain't kumbaya," he says in a declaration many are assuming means war.
But 4:44 goes further than that, addressing elephants we didn't really know existed. "I apologise for all the stillborns / 'Cause I wasn't present your body wouldn't accept it," he tells Beyonce. He even outs his mother on Smile, rapping: "Mama had four kids, but she's a lesbian/Had to pretend so long that she's a thespian."
It says a lot that we're analysing Jay-Z's lyrics, not the beats. Laced with soul-laced samples by No I.D., they're just as important, nicely matching Jay-Z's reflective mood. It adds up to an album that sounds like it was recorded in a confessional box at 4am with Blue Ivy asleep in the next room.
There's not an "H-to-the-Izzo" in sight, not a single, "It's your boy," yelled in your face. 4:44 is a laid-back soul-barer, and it's the realest Jay-Z's been in more than a decade. Let's just hope he has enough fans left dedicated enough to subscribe to Tidal and hear it.
Jay-Z - 4:44
Label: Roc Nation/Tidal
Rating: Four
Verdict: Rapper decodes himself on raw confessional