The average museum visitor apparently spends as little as eight seconds viewing each art work. For the Mona Lisa, we make a big effort: 15 seconds. So many paintings, so little time.
The First World antidote to this First World problem? Slow Art Day. Last Saturday, participants at 272 international venues viewed five artworks for five to 10 minutes each, then talked about them over lunch.
To match the Slow Food Movement's snail logo, Slow Art Day has a turtle. But to "counter-balance the whimsy" of such a mascot, the turtle's colour palette is taken from Vincent Van Gogh's Self-Portrait with Bandaged Ear and Pipe. Alas, the turtle doesn't have a bandaged ear, nor pipe. Slow Art Day (or SAD) is fun, but it's serious fun, people.
I went along to New Zealand's only Slow Art Day venue - Hillsborough's Pah Homestead. With a handful of women and one man, I viewed five artworks (by male artists) in a daunting two hours. Luckily, Pah's education co-ordinator Hannah Wilson modified the SAD script slightly, so we had a group discussion in front of each artwork.
First up was Philip Clairmont's 1977 Kidney Table Construction No III (for my Mum). At first glance, the busy-patterned table looked like a sombrero at a fiesta, something you might find on some 1980s middlebrow paperback about Phyllis getting her mojo back thanks to a Mexican hunk and his chilli chocolate. After a few minutes, I still didn't like the work. Not the most auspicious start.