(1988) and
Ritual de lo Habitual
(1990). They are currently on tour with Nine Inch Nails and play Australia's Splendour In the Grass in July so fingers crossed they come here.
The first disc of demos is interesting, but the half-baked versions of what would become some of alternative music's most potent anthems don't cut it. The second, of even more curious curiosities, like the wigged-out cover of Sly Stone's
Don't Call Me Nigger, Whitey
with rapper Ice T, is novel. So it's best to head straight for the live disc, a trip through the band's best songs recorded live in LA in 1990, and the DVD with live footage, music videos (including the fruity shoplifting spree of
Been Caught Stealing
), and the short film Soul Kiss (with a great scene where Farrell and girlfriend let off a skyrocket in his bedroom).
Besides all the hits (the lovely
Jane Says
and
Been Caught Stealing
being the biggest), and raucous live favourites like the spiralling thrash of
Stop!
, the two songs that stand out most 20 years on are the momumental avalanche of
Mountain Song
and the towering 12-minute live version of
Three Days
. While these sorts of releases are for avid fans - more like a souvenir than something you play regularly - it captures the raging and adventurous power of the band's live show and how unique their brand of rock'n'roll was.
Still, it has to be said, while Jane's Addiction were innovative and wild their main downfall was a lack of output which is the thing that keeps them from being one of the true great bands.
Cabinet
is a must for fans and worth getting for the live album alone. But for the more casual Jane's Addiction addict you can't really go past the band's two classics: go get
Nothing's Shocking
and
Ritual De Lo Habitual
today.
Scott Kara