Hannah Gadsby was in Seattle earlier this month, on tour with her new stand-up act, when she decided to unwind at the library. It was the type of excursion the Australian comedian could've anonymously enjoyed during the first four decades of her life. But in the wake of last year's Netflix phenomenon Nanette, her incisive and deeply personal special commenting on her experience as a gay woman? Not so much.
"I forgot that of course, the library is going to be where my people are," says Gadsby, 41. "I probably would've been recognised less had I gone to a nightclub."
After Gadsby pushed boundaries with the gut-wrenching, belly laugh-inducing ride that was Nanette, she has gone from cult-favorite comic to a performer who plays to packed houses. Her latest special - named Douglas, after one of her dogs - will hit Netflix next year.
Q: With Douglas, you've embarked on a nationwide US tour for the first time. How's it going?
A: I am very pleased with how lovely American audiences are. They really are nice people. In Australia and the UK, you walk out onstage and there's an air of resistance there with the audience. They're sort of like, "You think you're funny, do ya? Well let's see - I'll be the judge of that." Whereas here the general mindset is, "We're just delighted you're here."