Rating:
* * * *
It's unlikely New York band Grizzly Bear have heard of Split Enz. But on the unruly ride of opener
Southern Point
, with its breathless ups and downs, singer and songwriter Ed Droste's voice takes on a near-demented intensity reminiscent of Tim Finn's early days in the Enz. There is much of that New Zealand band's theatricality about Grizzly Bear too, but without the makeup and funny costumes.
Veckatimest - named after a tiny, uninhabited island near Cape Cod, Massachusetts, where parts of the album were recorded - is more assured and comprehensive than the band's 2006 release
Yellow House
. It was beautifully fragile but often veered more towards the airy fairy than the finely crafted psychedelic folk rock that they produce here.
It's on a song like
Two Weeks
that Grizzly Bear wield their songwriting power, bringing together intricate multi-part vocal harmonies (sung like a bunch of adolescent school boys), beats that lure and tease, and a simple repetitive keyboard chord. It's one of the most adorable songs of the year. And there's something ever so beauty school drop-out gorgeous about
Cheerleader
, a wistful mid-album ditty, with gently plucked strings, and choir boy harmonies to rival those in
Two Weeks
.
Then there are the seemingly never-ending subtleties that reveal themselves on repeat listens, be it a wash of what sounds like dulcet harp on
Ready, Able
, or the distant rasp and crash of cymbals on
Fine For Now
, that make the songs increasingly more epic with every play.
It can be meancing too, like the agitating, lo-fi guitar chug of
Ready, Able
, which is off-set by Droste's romantic serenade and other whimsical instrumentation; and
I Live With You
is bludgeoning and abrasive, like a wurlitzer organ being smashed to pieces with a sledgehammer as fireworks go off in celebration.
Veckatimest
is a charming, beautifully odd and intriguing album that gets better every time you listen to it. It makes you wonder, and a little bit excited, where they might go next.
Scott Kara
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