KEY POINTS:
From the opening bars of thunderous Chopin and the first revelation of so much athletic perfection, this New York ensemble is an assault on the senses. A delicious assault.
They dance like those possessed: classically trained to the fullest of extension, lift, leap and long balance, with a physicality that involves every sparking cell in their extraordinary bodies.
At the same time they parade the riches of more contemporary sensibilities, derived primarily from the African-American roots of their artistic direction and choreography. Those extreme classical forms and lines are transformed with a sensual swing of the pelvis, a lateral slide of the ribcage, and embellished by the gorgeous individuality of body type and style.
Desmond Richardson, founding artistic director with Dwight Rhoden, resident choreographer, is the expected star and his Solo, to music by Prince, is a riveting conclusion to Act II. But Drew Jacoby, a tall, willowy ballerina from Boise, Idaho, is the ultimate scene-stealer with her slinky hips, swinging bob, power and perfect line.
Watch for her in Lux, a fabulous trio, with the stunning Juan Rodriguez and Clifford Williams flashing iridescent violet knickers, and choreographed by Rhoden to the sublime Turtle Creek Chorale.
The exploration of Chopin, Dear Frederic, which opens the programme is a jaw dropper, a marathon of explosive energy. The dancers are costumed in minimalist pale pink, the women bare-legged, and bare-chested men, to expose each sculptured muscle to the max. But there is little that is lyrical to add contrast to the work.
The second act is a series of shorter works, including Gone, where three splendid male bodies create a kinetic version of an ancient African cave drawing about brotherhood and survival, to music by Odetta.
An emotional tribute to Nina Simone, Pretty Gritty Suite, showcases the company's full range of virtuosity including the exquisite lighting throughout, by Michael Korsch. Exhaustingly great.
REVIEW
* Who: Complexions Contemporary Ballet
* Where: Aotea Centre, to Sunday
