The British star is only an Oscar away from winning the ultimate accolade, an EGOT. She talks about starring in the $210 million film musical, shaping young actors, and the toll of her new movie Drift.
Cynthia Erivo has always been a runner. “The 100m was my favourite at school and I’ve done a couple of marathons,” the south London actress says from her home in Los Angeles, her nose ring glinting. She is cinema’s greatest sprinter since Tom Cruise, having streaked across the screen as a beautician-turned-robber in Steve McQueen’s Widows, her movie debut.
But now running has a very different role. Off-screen, jogging helps her to escape the characters she plays, who are often weighed down by trauma. Celie in The Color Purple was raped by her father; Aretha Franklin, whom she played in the mini-series Genius: Aretha, lost her mother as a child and became a mother herself at 12; Harriet Tubman, the slave turned abolitionist whom she played in Harriet, was treated so brutally that Erivo has said she had a “mini breakdown” after playing her. Therapy helped, “but I’m still learning how to compartmentalise and leave those characters once I’m done with them”, she says. “Some of them cling on.”
Erivo felt the need to run quite a bit while shooting her new film, Drift, in Greece. Her character, Jacqueline, has fled civil war in Liberia and come to an unnamed Greek island. By day she poses as a tourist; by night she sleeps in a cave, washing her one pair of underwear and sleeping on a sack of plastic bottles. Flashbacks reveal that she is the daughter of a Liberian politician, but we don’t see the full extent of what she endured until later. That sequence, in which she is dragged across the floor of her family home, was “really hard”, she says. “Your body can’t tell that the panic isn’t real.”
Erivo appears to be annoyingly good at everything: running, acting, singing. At 37 she is three quarters of the way to an Egot (Emmy, Grammy, Oscar, Tony), having won a Tony for best actress in a musical for The Color Purple on Broadway, a Grammy for the cast album of the same show and an Emmy for a TV performance of one of its songs. She just needs an Oscar and has been nominated for two: best actress for Harriet and best song for its theme song, Stand Up. She has just finished Wicked, a lavish two-film adaptation of the stage musical prequel to The Wizard of Oz, in which she stars as green-skinned Elphaba, the future Wicked Witch of the West, and was recently appointed vice-president of the Royal Academy of Dramatic Art (Rada), a serious undertaking considering its reputation is in dire straits.