American Idiot
, which renewed the band's popularity and became its second most popular long player behind 1994's
Dookie
. However, in the past the trio have also released songs under the name The Network.
The thing is, the 12 short, sharp and, at times, tender songs on
Stop Drop and Roll!!!
could have been released under the Green Day name and viewed as a perfect diversion from the punk rock masterstroke of
American Idiot
. Even though the new album is inspired by 60s garage rock it doesn't sound out of place in the band's canon of pop punk albums.
The jangly jaunt of songs like
Mother Mary
and
She's A Saint Not A Celebrity
are littered with rousing "bah, bah bahs" and "woo woos",
Ruby Room
has squealing psychedelic keyboards, and the floating sweetness of
Red Tide
is reminiscent of the Raconteurs' material composed by Brendan Benson rather than Jack White.
For Green Day purists there are tracks like
Sally
and
Broadway
which mixes a swirling Kinks-styled influence with the staunch bounce and superstar riffing of old.
The album's weakest moments are the repetitive
Alligator
(a rip-off of the Kinks'
You Really Got Me
or the Cult's
Wildflower
depending on what you're into) and
The Pedestrian
, which is one of those plodders that is annoyingly catchy and destined to be a future single.
Apart from those two, this is the sound of ageing punk rockers - Armstrong, Cool, and Dirnt are all 35 - growing old with musical dignity. They might be looking back to the classic sounds of the 60s for inspiration, and while they don't exactly push things forward, they keep kicking out the jams and inject fresh potency and a new twist into modern-day punk rock.
Scott Kara