Occasionally I get a strong urge to hide under a duvet and wait for the world to go away. I suspect it wouldn't work, in the same way travelling to another country isn't always the escape you wish it was. You can leave your environment but you can't get away from your own thoughts, which are often the very things you need a break from. If anything your anxieties are amplified when you have too much time to think about them.
So is the character of Miles Garth in Ali Smith's novel There But For The escaping the world or facing up to it when he locks himself in a stranger's spare room during a dinner party and stays put for months?
Don't expect to find the answer within the pages of this sharp, playful and pacey novel - I've read reviews warning that the absence of Miles is merely a conduit to spark internal journeys in a patchwork of other characters, rather than a mystery to be resolved.
I'm about a quarter of the way through the book and I suspect that this is a classic short-story writer's novel, where we deal with each character in a sequential story, and the thread of the plot is tied together more by theme than by events. (Smith is an accomplished short story writer.)
The first character we follow is Anna, who is called in by the rattled (and deliciously penned) social-climbing homeowner Genevieve when Genevieve finds Anna's number in Miles' phone. Anna is escaping from the world too, in a way. She's chosen unemployment over a job in which she was expected to make other people redundant.