What is it like to live, as many of us in the Southern Hemisphere do, with our eyes forever on a different part of the world?
Pacific Real Time, a 2016 Auckland Art Fair Project, uses contemporary art to explore what it means to be a Pacific artist or art professional in a globalised world, particularly one which has been dominated by northern hemisphere mores, morals and institutions.
For most of the 20th century, New Zealand's main cultural drivers were Euro-American.

Art fairs are a remnant example of this, dating back to the Paris Salon and the Venice Biennale (which started, in 1895, as a commercial fair and was run this way until the 1950s).