Dame Kiri Te Kanawa returned to her old high school, St Mary's College. In a special school assembly, the students sang happy birthday to Dame Kiri and Sister Judith Leydon.
Video / Alex Burton / Mary Afemata
She’s performed on the world’s greatest stages, sung for royalty, recorded more than 80 albums and won an unfathomable number of awards. And as she catches up with the Weekly for her 80th birthday, Dame Kiri Te Kanawa is as glamorous and resplendent as ever.
“When you get to this age, occasionally you just want to relax and step away from everything,” the world-famous soprano muses. “I suppose getting to 80 is quite important — and still being alive!”
Posing for the Weekly’s exclusive photoshoot, she has already had a morning of interviews. Her energy and zest for life are contagious. Always one to keep learning, always keen to keep moving, Te Kanawa has no plans of slowing down soon.
“There’s just so much to look forward to,” she says. “My life is very busy and it doesn’t stop being busy. There’s always a project and a next project.”
All of Te Kanawa’s family, she says, are “healthy and well, and that is the most important thing”.
She remains busy with The Kiri Te Kanawa Foundation, which provides funding and support for young singers with exceptional potential pursuing careers in opera.
“Just give them the first step and then once they get the bug, that’s it,” says Te Kanawa of one of her most important legacies. “That’s the first step. I think it must have been something I did too. You get to that first very special moment and you say, ‘Oh, this is rather nice,’ and you go for the next one and the next. And suddenly it takes off.”
In June, she’ll head to London, where there is a concert at Opera Holland Park to raise money for Te Kanawa’s foundation and to mark her 80th birthday.
Her energy and zest for life are contagious. Always one to keep learning, always keen to keep moving, Te Kanawa has no plans of slowing down soon. Photo / Woman's Weekly
Meanwhile, at home, there is always a chore waiting. The passionate gardener wakes each morning with a long list of things to do, such as putting newspapers over her plants to protect them from the Northland sun.
And, of course, there are her beloved dogs, Nyack, Eska, Chenna, Abbey and Cinque, who recently joined the whānau.
“She’s number five and she’s position number five,” says Te Kanawa. “So I have to live a very long time because she’ll last 10 years at least. Kevin gets up at night to put her out and within seconds she’s back in my bed, and he’s standing outside waiting for her but she’s already in! I say to him, ‘You have to keep an eye on that one.’
“There’s my work, there’s my home and then there’s my grandson,” she adds. “Everything, it’s all together.”
And, of course, there are her beloved dogs, Nyack, Eska, Chenna, Abbey and Cinque, who recently joined the whānau. Photo / Woman's Weekly
In 2021, Te Kanawa shared with the Weekly that she and Kevin, who is intensely private, had returned to New Zealand to live. Like many others who found themselves separated from their families and loved ones, she’d found the Covid pandemic extremely difficult.
“It is my country,” she says. “I was always planning to come home, but we didn’t know when and even now I think it was a really fast decision. But I don’t think it was the wrong decision.
“Being 80, how many more summers have I got? I also didn’t like the winters over there. They were harsh – I have arthritis in my fingers and while I still have pain, it’s not like it used to be.”
Te Kanawa was just 21 when she first left our shores and she reflects, “My childhood was school, singing, choir, singing, singing, singing and then I went to England. There wasn’t a real childhood.”
Born in Gisborne in 1944, she was adopted by Tom and Nell Te Kanawa when she was 5 weeks old.
“Looking back, they were very good parents,” Te Kanawa says. “They taught me well, but they never said, ‘You will do this’ [singing]. They just went along with it. I think my father was never overwhelmed by it — he didn’t take much notice of it at all. He just loved me, whatever I did.”
All of Kiri’s family, she says, are “healthy and well, and that is the most important thing”. Photo / Woman's Weekly
As a teenager, she attended Auckland’s St Mary’s College, and it was there she met Sister Mary Leo, who quickly picked up on Te Kanawa’s talent and took her under her wing. This included pulling her out of class to practise, which, Te Kanawa told the Weekly in 2022, limited her education.
“I basically educated myself, but in the first years of my career, I couldn’t even write a letter because I’d never had time to sit in class. In those early years, I saved letters from all sorts of people. Any thank-you letters I saved and tried to copy what they’d said in order to write a decent letter.”
While she knew she could sing, perhaps somewhat surprisingly, at no point did Te Kanawa point to a future goal and decide it was what she wanted.
“Some young people say, ‘I’m going to be this and I’m going to get there’, and I always hope they do,” she explains. “But none of that was me. I’m looking back a lot now, about how it all happened and it didn’t happen as many people assume. I see my career as something I got into with no great end goal in mind. One thing just led to another.
“What happened is this: it developed. And so I got into Covent Garden and I was thrilled. I don’t know how I did it but then again, I had a very good manager. So I had someone who placed me and did amazing things, but they were all managed … I stuck to the plan, so to speak.”
Kiri Te Kanawa, as the Countess in The Marriage of Figaro. Photo / Getty Images
Already a successful singer when she left New Zealand, Te Kanawa captured the attention of the world when she was cast as the Countess in The Marriage of Figaro at Covent Garden in 1971. The positive reviews flooded in.
In 1974, she was in New York as an understudy for Desdemona in a Metropolitan Opera production of Verdi’s Otello when she received the call – with three hours’ notice – that she was needed on stage. “The Met got me into America, which was always a hard one to crack,” recalls Te Kanawa.
And then she was catapulted into stratospheric fame with her performance of Handel’s Let the Bright Seraphim at the wedding of Prince Charles and 20-year-old Lady Diana Spencer, which was watched by some 600 million viewers. She was made Dame Commander of the Order of the British Empire the following year.
“Everyone thinks my career began at the wedding, but it didn’t,” tells Te Kanawa. “That was in 1981 and I had already been there since 1966.”
Ultimately, Te Kanawa’s singing career spanned more than five decades, with each performance carefully planned for hours, days, weeks and even years before.
“So what happens when I go on stage? I’m already there,” she says. “I’ve already gone through the trauma and the nerves. I’ve already gone through the learning and the mistakes and the coaching, and the conductor telling me this and the linguists telling me that … The producer, the wigmaker … It’s all the village and then you get the call, you hear the buzzer and you walk on stage and you do it. When you get there, you’re there. When I get on that stage, I have already finished. I have already arrived.”
Dame Kiri Te Kanawa at the 2006 The Classical BRIT Awards. Photo / Getty Images
Te Kanawa’s career certainly wasn’t for the faint-hearted. The mum of Antonia and Tom was constantly travelling, and she had a gruelling schedule. Her diary would be planned for up to five years in advance, filled with practices and performances, with very few days off.
“You get up, you get the children changed. You give them breakfast and you take them to school, then you come back and you do your work. And then you go into town and have a singing lesson, then rehearsals and then you go home and you see the children, cook their food, maybe with the nanny helping,” she says before adding with a grin, “It was just ordinary.”
“I would because it was worth it,” she admits. “But then all the other stuff around family, children, husband, that was another thing in itself. How did I do that? I got divorced [from first husband Desmond Park] after 29 years. How the hell did I do all that? I look back and I think I’m exhausted. It’s a lot to do.”
Her work ethic has meant the often-laidback lifestyle of the Far North has been an adjustment.
“Everyone’s fishing!” she says, laughing. “Does the roof need fixing? No, they’re out fishing. The window man? No, he’s out fishing. They say, ‘We can’t come today, we’ll come tomorrow because it’s a better day for fishing.’ I love this — it’s the right balance.
“Everyone thinks my career began at the royal wedding, but it didn’t,” says Te Kanawa. “That was in 1981 and I had already been there since 1966.” Photo / Woman's Weekly
She gets frustrated with phones, though. “There’s such a preoccupation with the damn phone and internet,” Te Kanawa exclaims. “No one sort of waits. Wake up and smell the roses! No one does that — it’s all lost because they’re looking down.”
Naturally, she’s learned many lessons along the way. Most importantly, how to deal with mistakes.
“Every mistake you’ve made, if you can correct it, do it,” she advises. “I learn all the time from my mistakes, still. Whether it’s cooking things incorrectly, growing things incorrectly or speaking to young people without having care of their sensitivities, all sorts of things you learn. I always tell my singers the more mistakes you make, the more you’re going to learn because you’re not going to do that again.”
And as she reflects on her remarkable life, Kiri says at its essence has been a lot of love and a whole lot of luck.
“I think I’ve been very lucky,” she says. “I had wonderful parents who gave everything to me.
“I had wonderful people around me who really cared — very kind, wonderful people who weren’t over the top, but I have been just gently loved. Really loved … Each year would be a highlight for me.”
