Perfection is a rare commodity in the performing arts but, on Friday, the Takacs Quartet gave us just that.
A fascinating selection of works written between 1904 and 1928 revealed three composers forging individual voices in a new and volatile century.
First violinist Edward Dusinberre explained there would be chills at first in Bartok's 1927 Third Quartet and a subsequent Allegro might sound like a wild party threatening to get out of control.
The opening pages did exude a chilly atmosphere, but equally chilling was the almost sculpted precision of the ensemble.
Later, any celebrations were firmly marshaled, as we were swept to a swirl of offbeat rhythms, chattering col legno and eerie ponticello playing.