Bramwell Tovey's Time Tracks was a blunt, noisy launch for the New Zealand Symphony Orchestra's Aotearoa Plus, its annual concert of "cutting-edge contemporary".
Tovey, conducting with Grammy-winning pizzazz, introduced his own suite at some length, but this was trite stuff.
It sounded like a succession of cues for a film soundtrack, the conductor's honky-tonk piano solos offering at least some respite from the bedlam of banality.
Stephen De Pledge had a proper Steinway for Magnus Lindberg's Piano Concerto No 2, an energetically rambling tussle between soloist and orchestra, sanctioned by its composer as "postmodern style-hopping".
Its half-hour was redeemed by Lindberg's wit and affection. And when bewilderment threatened, the assuring glow of major and minor would fall upon us, as if Rachmaninov himself were beaming through the clouds.