They're becoming a super-hip outdoor festival act, with high-profile slots at The Governors Ball, Bonnaroo and Coachella already locked in for 2015.
But it was at Auckland's sweltering King's Arms that Seattle duo Odesza plugged in their laptops to kick off their year in front of a crowd lapping up every second of their summery electronica, or, as one mate put it, "dubstep for happy people".
Yes, Harrison Mills and Clayton Knight's "weird music" - their words - and trippy visuals would be better suited to a headlining slot at Rhythm and Vines, but they gave the sweat-drenched and near sellout crowd a reason to dance like it was New Year's Eve all over again.
Odesza cherry-picked highlights from their two albums - 2012's Summer's Gone and last year's In Return - to deliver a perfectly-paced set that moved from the chirpy foot shuffle of How Did I Get Here and Always This Late to the pure aural orgasms of I Want You and Bloom.
They mine the same warped electronic territory as acts like Purity Ring and Passion Pit, drawing on '90s chillwave acts like Groove Armada along the way, with looped vocals and chirpy samples that can give their sunset anthems an occasional Middle Eastern vibe - especially on the stunning stomp of Sundara and ethereal ambience of Echoes.
