American conductor Andrew Grams is making a name for himself in the world's concert halls and, just seconds into Mendelssohn's Hebrides Overture with the New Zealand Symphony Orchestra at its most lustrous, it was clear why.
Banish any thoughts of Mendelssohn as a polite watercolourist; Grams and his musicians were working in the richest oils, taking us far from the Scottish coast to the thrill of the open sea.
Soaring strings caught surging breezes, while Grams' dove-tailed textures had the finesse of a painter shading his way through a multitude of blues.
At the other end of the concert, Schumann's D minor Symphony made it clear that we do not have to wait until Brahms to find Beethoven's symphonic successor.
The working out of its first movement was bold, almost pungent in its dramatic shifts; the move from langsam to lebhaft delivered what would have been, back then, the jolt of the new.