Australian conductor Simone Young's New Zealand debut was a challenging programme of Mozart and Bruckner, which came with the New Zealand Symphony
Orchestra's lofty title, Cathedral of Sound.
While this was appropriate for Bruckner, Mozart's Linz Symphony seemed somewhat fashioned to fit.
Young stressed the ceremonial here, even when the opening Adagio melted into Allegro.
It disappointed, though, that the following Poco Adagio was marred by unexpected sourness in the violins, occasioned perhaps by the distraction of audience applause after the Allegro, and the protracted admittance of late-comers.
After interval, the 80 minutes of Bruckner's Fifth Symphony lived up to the orchestra's pre-publicity, even if assiduous marketing had not brought in the audience numbers that this event deserved.