Indra Hughes can be relied upon to come with imaginative and stimulating programming, and Musica Sacra's Sunday concert was no exception.
Two major twentieth-century Masses, by Igor Stravinsky and Frank Martin, side by side, offered fascinating contrasts in terms of the personalities of their composer.
Hughes' punctuation of the Stravinsky with three settings from the twelfth-century Codex Calixtinus was, in its way, a minor coup.
In general, Stravinsky's cool and often astringent harmonies were laudably handled. The choristers were a little cautious, but one could hear those crucially placed major chords shining through the texture like the lights of a familiar town through low-lying mists.
The woodwind players were obviously enjoying the coloristic opportunities afforded by the linear precision of Stravinsky's writing.