Musica Sacra's Music from Madrid and Toledo on Sunday must go down as one of the chamber choir's most enterprising presentations.
A trip to Spain by music director Indra Hughes, combined with the 400th anniversary of the death of Tomas Luis de Victoria, brought forth an impressive pair of Masses, interspersed with various instrumental and choral items.
These extras that punctuated both Victoria's Missa Pro Victoria and Morales' Missa Mille Regretz had sometimes been artfully curated to complement the larger surrounding work.
Hughes, with his customary wit and affability, warned us that Victoria plays with his audiences in a rather sly way and that we should be prepared for some rhythmic deception in the Missa Pro Victoria. And his singers securely negotiated the shifting nine-voice textures, getting into the spirit of it all for a dancing triple-metre section towards the end of the Gloria.
The choir created a warm sonority for a score that demands broad, confident strokes, with Hughes drawing out a massive, almost theatrical swell on closing chords.