Chamber Music New Zealand's CEO, Euan Murdoch, delivered a hearty "Buona sera" welcome for an evening of Italian music with the celebrated I Musici di Roma.
First up was a Rossini Sonata a Quattro, delivered with all the charm and flair that Murdoch had promised. The earthy good humour of its fast movements was particularly refreshing. However, a recurrent sourness of intonation, especially in the first violins, was less appealing; perhaps the result of this being the sixth New Zealand concert in seven days.
Cellist Pietro Bosna was soloist in Rossini's Une Larme. Fully up to the piece's lyrical expectations, he also enjoyed teasingly keeping us on tenterhooks until the music bursts into its final bubbling denouement.
A Donizetti Allegro, its mercurial shifts of mood exquisitely managed, was followed by Paganini's fearsome variations on The Carnival of Venice. Leader Antonio Anselmi took the solo part, with a fervour and almost devilish flamboyance worthy of the great Paganini himself.
For those wanting more Baroque music, the second half opened with two 20th century composers intent on evoking that golden age of Italian music.