Conductor Uwe Grodd introduced Auckland Choral's 157th season of Handel's Messiah, affirming that this was indeed a masterwork, regardless of race, background or religion.
As happened in 2010, we were to hear the oratorio as its composer intended, without the irritating omissions usually encountered, especially in its final section.
A sonorous, rhythmically alert Overture from Pipers Sinfonia augured well and the band responded to Handel's often ingenious writing with spirit and verve.
This year's Messiah also brought in new sounds. Not only did James Tibbles dispense his harpsichord continuo with customary eloquence but, in some numbers, Eddie Giffney joined him on a second instrument, to tantalising effect.
The plucked and dulcet tones of Stephen Pickett's theorbo were an apt and subtle accompaniment for many recitatives.