Few of us, realistically, deserve a biopic. But what did the world's luminaries ever do to deserve so many bad ones? The genre is a musty tradition. Silent films started addressing such figures as Mary, Queen of Scots and Joan of Arc 120 years ago.
The Academy can rarely resist bestowing the best actor Oscar on the candidate playing a real man. This century Truman Capote, Idi Amin, Harvey Milk, George VI, Abraham Lincoln, Ron Woodroof, Stephen Hawking, Winston Churchill and Freddie Mercury have all taken gold. Mathematically, playing someone who actually lived (and died) is your best bet for an award.
It's no wonder actors are drawn to such roles. It's a highly visible way to show off your craft and gain kudos. But what's in it for audiences?
Last week, Ralph Fiennes' The White Crow, about Rudolf Nureyev, came at the tail end of a batch covering Ruth Bader Ginsburg, Colette, Dick Cheney, Laurel and Hardy, Marie Colvin, Shakespeare, and Mary, Queen of Scots (again).
It's a weary business for reviewers, let me tell you, to drum up some semblance of enthusiasm week after week, when we'd all much rather great fiction was being told. Few films have ever thrived, or thrilled, simply by getting their facts straight.