Doubtlessly it was Holst's popular suite that filled the Auckland Town Hall for the New Zealand Symphony Orchestra's The Planets concert.
Punters would not have been disappointed; conductor Edo de Waart did the old warhorse proud.
First up was Mars, a "bringer of war" so belligerent that two nearby patrons covered ears during loud patches. Had they been alerted, I wondered, by references to rock bands, including a misspelt Led Zeppelin, in the uncredited programme notes?
Yet Mercury darted about with the zing of sprung steel and the serene Saturn floated by in the coolest flute tones. Holst's final coup for Neptune — mysterious wordless vocals wafting from off-stage — was magically achieved by the women of Voices New Zealand Chamber Choir.
The evening had opened with three recent Abstractions by English-American composer Anna Clyne. While these were a virtuoso showcase for the orchestra, so much so that spontaneous applause broke out during the first, more questions were asked than were answered.