On paper, the New Zealand Symphony Orchestra's "Enigma" programme seemed the epitome of standard romantic repertoire.
Yet this was music imbued with the energy and ambition of young composers determined to make their mark on the world; a spirit well caught in Joyce Yang's exuberant, fully-committed tackling of Brahms' First Piano Concerto.
We felt the youthful defiance of the 24-year-old Brahms in Yang's striding octaves and scorching trills; it came out in the finale, too, as she led the orchestra in a dance of bristling counterpoint and fiery Hungarian rhythms.
Edo de Waart distilled decades of experience into his consummate handling of Brahms' spacious introduction, an almost bewildering profusion of ideas and themes awaiting symphonic development.
A Serenade by a teenage Richard Strauss was sonorously delivered by 13 wind players and principal bass Joan Perarnau Garriga. They made a strong, exquisitely nuanced case for this slight but charming score and it was a particular delight to see these fine musicians, usually out of sight to us in the stalls, brought to the front of stage.