This 1964 score came across as a cry from the very soul of a wounded Russia.
Early on, a few shafts of harmonic sunlight may not have prepared us for the searing emotional crunch of two slow movements, in which one felt the weight and intensity of every single note.
Tchaikovsky's First Quartet portrays a Russia that was not only pre-Stalin but pre-Revolution and the Borodins held nothing back in their highly-charged performance.
They effortlessly conveyed a sense of romantic striving, in both the dramatic to-and-fro of musical argument, and moments in which one sensed rich textures were calling out for fuller orchestral shading.
Yet could there have been anything simpler and more elegiac than this quartet's lovely Andante cantabile, its familiar song done full justice by Aharonian's lyrical violin. There was more simplicity in the encore that followed, a short Evening Prayer by the same composer that, in the precision and sensitivity of its delivery, revealed the truth of that old adage of art concealing art.
Classical review
What: Borodin Quartet
Where: Auckland Town Hall
Reviewed by: William Dart