Auckland Philharmonia Orchestra's A Woman's Place was a worthy contribution to Suffrage 125 celebrations but did its multimedia mix of words, music and visuals really come off?
Much talk, from presenter Clarissa Dunn and six speakers, including a boisterously irreverent Georgina Beyer, pushed the concert to well over two and a half hours.
Ethel Smyth's The Boatswain's Mate provided a spirited overture with its jolly work-out on her famous suffragists' march, followed by Clara Schumann's piano concerto. This teenage concerto may not be top-drawer music but soloist Modi Deng almost persuaded us that it was, especially in a heart-melting duet with cellist Ashley Brown.
Gillian Whitehead has described her piano piece, Tumanako, as a journey through an unknown landscape; Deng was a sensitive guide, travelling effortlessly from chiming virtuosity to chiselled hush.
The first movement from Claire Cowan's finely gauged concerto, Stark, was a dazzling showcase for violinist Amalia Hall, begging the question: when is Auckland going to hear the whole score?