Tasmin Little and Piers Lane are quite a team and the latest project from the English violinist and Australian pianist brings the anticipation of more pleasures to come.
Volume one of British Violin Sonatas offers a sharply chosen sampling of unfamiliar music persuasively played and imbued by producer Andrew Kenner with a presence that might encourage fantasies of being treated to a stylish house concert in your own lounge.
The 1949 Walton sonata is the best-known piece here, but still hardly standard repertoire. Written for Yehudi Menuhin, its fluent gestural writing and intricately woven textures suit these musicians well, especially in the volatile moods of the second movement's variations.
A Britten suite is lightish, five short pieces rather than an integrated sonata, but the 21-year-old composer's gift for vivid characterisation is ample compensation.
The brilliant style games of Britten's Variations on a theme of Frank Bridge were yet to come, but this suite includes a bracing shift from a translucently beautiful Lullaby to a Waltz that flits and flutters with zesty humour.