The tone takes a while to settle, but Vanity Fair turns out to be a slick period drama, writes Calum Henderson.
When the cast credits include characters like "Strumpet", "Hermit", "Posh Girl 1" and "Posh Girl 2", you know whatever you've just watched was either really good or really, really bad.
Vanity Fair, the big-budget (ITV x Amazon Studios) adaptation of William Makepeace Thackeray's classic 19th century novel, which premiered on TVNZ 1, is undoubtedly the former – though there are moments early on where you do wonder which way it's going to go.
The opening theme, a smoothed-out, Spotify playlist-friendly cover of All Along the Watchtower, is the first hint that this is all a bit snazzier than your usual note-for-note period drama. That's followed at the start of each episode by Michael Palin, playing Thackeray himself, hamming it up large in front of an old merry-go-round. He gleefully welcomes viewers to Vanity Fair: "A world where everyone is striving for what's not worth having."
When the main character Becky Sharp (Olivia Cooke) turns up and starts giving knowing looks to the camera like it's a pantomime or an early 1800s version of Miranda, you could be forgiven for asking: what exactly is the tone here? Could this whole thing be a big, overblown, extremely stylish mess? It'd probably still be worth watching if it was, but once you settle in it turns out to be deceptively clever, lively and a lot of fun.