By now you must have seen, or at least heard about, the iguana vs the snakes. The scene from Planet Earth II was put online as a preview for the long-awaited BBC documentary series last November. It showed a hatchling marine iguana on Fernandina Island in the Galapagos being hunted down by - and triumphantly escaping the clutches of - a ruthless gang of snakes.
"A snake's eyes aren't very good, but they can detect movement," Sir David Attenborough warned as one of the predators slithered within inches of its prey. "If the hatchling keeps its nerve, it may just avoid detection." The whole thing was a masterpiece of tension and drama; probably the best action scene of the year.
It arrived about halfway through the series premiere on Prime on Sunday night, the heart-racing peak of what proved to be an emotional rollercoaster filmed across several different remote islands. If the iguana was pure high-stakes action, then the lonely Buller's albatross waiting for his mate to return to their subantarctic Snares Island nesting spot was an almost The Notebook-level story of avian romance. The brutal Komodo dragon fight in Indonesia ("Muscular tails strike with the power of sledgehammers"), on the other hand, a kind of sci-fi horror.
As has become the Attenborough trademark, Planet Earth II masterfully establishes emotional narratives around its creatures without ever quite crossing the line into full-on anthropomorphism. This means one minute you're cheering on an iguana like it's Beauden Barrett in the 2015 World Cup final, the next you're quietly weeping as a fairy tern returns to her nest to find it robbed by a devilish Seychelles fody. As she sat down on the broken egg, the narration described the unfolding tragedy with devastating economy: "She knows something's not quite right, but her drive to incubate is strong."