There's a certain symmetry in conducting an interview about a theatre production that has no words on a Skype link with one-way audio.
Fortunately, I can hear Kiwi physical theatre practitioner Thom Monckton, now based in Helsinki, Finland, and I am able to send him a list of questions, so the whole interview doesn't have to be conducted via mime and interpretive dance — although I suspect he might have enjoyed that.
The highly expressive Monckton — described by one reviewer as "the socially outcast reclusive love-child of Rik Mayall and Mr Bean" — worked with his partners in the physical theatre and circus company Kallo Collective to create the family theatre experience that is Caterpillars.
This weird and wordless exploration of the life cycle of the caterpillar, combining slapstick and silliness with flitting butterflies, jumping eggs and giant swaying flowers, is on at the Auckland Museum these school holidays, alongside its Secret World of Butterflies exhibition, and will be performed by Mim and Danny Syme, co-directors of Christchurch circus company and school Circotica.
"Non-verbal, physical theatre work requires a story that is quite simple, and that's why we thought about the life cycle of a caterpillar — it's recognisable to everyone, even young children, and we could play with that storyline quite easily and make it humorous without going too far from the actual cycle," Monckton says.