Birds of Tokyo say March Fires has alienated some of their fans, but the album has been a risk worth taking. It took six years of hard graft for Birds of Tokyo to rise through the ranks from practical unknowns to Australia's indie darlings with three chart-topping albums under their belt. And yet it's taken a mere 18 months to wipe the slate clean and start over with a new sound on album No4.
"This record is a very different front for the band," lead singer Ian Kenny says of the aptly titled March Fires, which refers to the natural cycle of regeneration in the Northern Hemisphere when forests burn off in spring.
"We kind of redress who we are and it does feel new and fresh. We have a completely new conversation with our crowd now."
A large part of that process was working out whether Birds of Tokyo wanted to remain together as a band. "We're 30-year-old dudes. We've been doing this for a while and we really thoroughly discussed why we were writing music. It was a conversation the whole way through - why are we writing record No4? And the more you ask yourself, the more you find," he says.