Between the mental breakdown of the ballerina in the film Black Swan and the Russian ballerino arrested for an acid attack on his artistic director, I may have a skewed perception of the international dance world as a cut-throat environment of fierce rivalry, even enmity. New Zealand's global dance superstar, Ursula Robb, has never experienced any of that, but faced a different danger while dancing for explosively physical Belgian troupe Ultima Vez.
"We hurled bricks around the stage. I broke a finger, broke my foot, had a concussion."
It will be a much softer, subtler performance when Robb dances the solo Faune in Auckland and Wellington for the NZ Dance Company's six-centre North Island tour, Language of Living. The only international act on the proudly Kiwi, six-part programme, Faune was created by Mark Lorimer and Anne Teresa De Keersmaeker, arguably the world's leading choreographer.
I watch Robb rehearse in a small Wellington studio. Known for her strength, height and grace, she begins with robotic movements that become fluid as one movement blends imperceptibly into the next. "At 43, I can't do constant spins, flips and high legs, but it's nice to see subtlety."