You know a festival is on its way when an international orchestra is coming to town and, sure enough, a March concert by Tafelmusik, a Canadian baroque orchestra, promises to be a highlight of this year's Auckland Arts Festival.
The 17 players will bring Bach, Handel and Vivaldi in a programme titled House of Dreams, presented with a multi-media twist, thanks to Alison Mackay.
Mackay also plays bass with the group and speaks wistfully of her early days with Tafelmusik, 35 years ago. "It started with a real attachment to the repertoire itself. At the beginning it all seemed very cutting-edge and experimental. You felt as if you were really doing something out of the mainstream and we've tried to hold on to the fresh approach we had back then."
Although baroque is still the orchestra's core repertoire, the players have been coaxed into extending the playlist to include Mozart and Haydn. Tafelmusik has just completed a successful Beethoven season under Kent Nagano, back in Toronto. "I remember playing my first Haydn symphony," Mackay says. "It seemed such a leap from what we'd become accustomed to. It was almost like being a musician of the time, who'd been playing Bach all his career, and then being introduced to this new classical style."