Christopher Rouse is one of the USA's leading composers with a Pulitzer Prize and a Grammy to prove it. As a teacher, he's left his mark on younger voices from Michael Torke to Nico Muhly and New Zealand's own Gareth Farr who he remembers as "an unforgettable character".
This week, the APO gives the first performance of Rouse's 2005 Oboe Concerto outside the US. With more than ten concertos on his CV, he admits to liking the form with its underlying concept of the one and the many.
"It doesn't necessarily have to be one versus the many. The Oboe Concerto is far from adversarial; I just wanted to write a piece on the gentle side, not one of my fangs-bared opuses."
While his 1992 Trombone Concerto explores what he describes as the grim side, he says the Oboe Concerto is more sensual and not meant to plumb the depths of the human condition as some other pieces of his do.
Rouse admits his oboe writing makes heavy demands on the soloist, in this case Bede Hanley, the APO's principal oboist, with its use of upper register and carefully controlled breathing.