Although there is recompense in Tetzlaff's seemingly inexhaustible energy and some luscious woodwind solos from the orchestra, the piece itself is alarmingly discursive.
If Schumann fails to convince, then Mendelssohn will doubtlessly be the ideal antidote.
French violinist Genevieve Laurenceau is all beguiling elegance in Prokofiev's Second Concerto on her new Naive CD.
There may be shivers of regret in the first movement's tinges of romantic nostalgia; Laurenceau's performance would certainly make us believe so.
Russian conductor Tugan Sokhiev, working with his own Orchestre Nationale du Capitale de Toulouse, brings just the right satiric thrust to Prokofiev's Finale.
Yet, after this, Rachmaninov's Symphonic Dances show just as zesty an appreciation of the Russian composer as contented as emigre. So seductive.
Christian Tetzlaff plays Mendelssohn & Schumann
(Ondine, through Triton Music)
Stars: 4/5
Prokofiev & Rachmaninov: Orchestral Works
(Naive, through Ode Records)
Stars: 5/5
Verdict: "A celebration of concertos reveals two special relationships between violinist and conductor."