Evanescence has made a return with a weird - and largely unnecessary - greatest hits album, of sorts.
Only, those hits have been stripped down and reworked, taking out a lot of what actually made them great in the first place.
The rock drums and power chords have been tuned out completely, in favour of an orchestral sound mixed with a strange kind of EDM influence which, frankly, has no place on any of these tracks.
There are two new tracks on the album: Hi-Lo and Imperfection - one features a guest, acclaimed violinist Lindsey Stirling, and the other draws on EDM and hip-hop influences. If ever you needed some kind of summary of the album, those two descriptors are probably it.
