No one can deny that, in his latest role, Richard Madden makes an impressive entrance. Midway through Disney's live-action revamp of Cinderella, directed by Kenneth Branagh, he comes galloping into a forest glade on a steaming black horse, mid-stag hunt, to embark on a gentle flirtation with the heroine (a poised Lily James). With his blue eyes and sumptuous green velvet frock-coat, the Game of Thrones star looks every inch the Prince Charming he is portraying. And that, according to him, is where the trouble starts.
"I mean, apart from the fact that he's dashing, what do we know about this prince?" he asks in his lilting Scots burr. "Nothing. I felt like I was creating something from scratch, so how do you prepare?"
Madden has a point. Even Prince Charming's own Wikipedia entry harrumphs that "these characters are seldom deeply characterised, or even distinguishable from other such men who marry the heroine". So the actor turned to Branagh for advice. "He had me studying the likes of the princes of Monaco, reading Marcus Aurelius' Meditations and Machiavelli's The Prince," he says, grinning. "And I'm going, hang on, this is Disney, right? But it had to be a slightly more complex take than the standard girl-in-distress, handsome-man-saves-the-day thing. We've changed the message: he needs her as much as she needs him, and they don't realise it 'til they meet." He takes a swig of water. "It modernises the story."
Cinderella remains the ultimate tale of makeover wish-fulfilment - "Project Runway for 5-year-olds", as one critic has described it - and its resurrection is a canny move on Disney's part. Following the success of Maleficent and Frozen, the company has realised that girls, rather than boys, are now driving the family multiplex market. Madden hopes that "boys are going to like this movie, too", but that may be wishful thinking.