Chevalier (PG, 108 mins). In cinemas now.
Directed by Stephen Williams.
Mozart had a challenger apart from poor jealous Salieri. Who knew? The terrific opening scene of Chevalier, a biopic loosely based on fact, shows Joseph Bologne, Chevalier de St Georges (Kelvin Harrison Jr) facing off against Mozart as the violinist du jour at the glittering court where Marie Antoinette (Lucy Boynton) holds sway.
If you’re among the majority who’ve never heard of Joseph Bologne, don’t worry; now is your chance to find out about him. Stephen Williams’ version of his story is fascinating and highly entertaining. There’s just enough reference to the prelude to the French Revolution to provide historical context, but the film is more about prejudice than about the Revolution. Its message is still relevant.
A black American at the Parisian court, Joseph is full of unshakeable and justifiable self-belief as a violinist, composer, expert swordsman and lover. He’s the classic outsider, the son of a Guadalupe plantation owner (Jim High) and one of his slaves, transplanted as a talented boy to a music academy in Paris by his father. Racist slurs are hurled at him, but his talent and determination to be excellent, as his father told him to be, make him untouchable, until they don’t.