Kara Alexis tattoos Carla Cook at the Tattoo Hui. Photo / Andrew Warner
To some, the body can be seen as a blank canvas.
Bring a touch of ink into the equation and this canvas can be used as form of self-expression, a vessel for the creative mind to run wild or a display of dedication to cultural traditions.
Thousands of these canvases,some blank but most not, walked around the Energy Event Centre this weekend for the Rotorua's first-ever Tattoo Hui.
The whirrs and vibrations of hundreds of tattoo guns at work filled the air but their subjects appeared too seasoned to let slip any audible sign of pain.
Li'aifaiva Malofie had been involved with traditional Samoan tattoos and pe'a for as long as he could remember.
A crowd gathered to watch Malofie use the traditional method of tapping with a sharp shell for hours at a time to create art on the upper thigh of a young man, who lay with his eyes closed.
Malofie said this type of tattooing was one of the few things considered as "measina" or a cultural treasure in the Samoan culture.
"Going through this in our culture is how a young man shows his service to his family."
Project manager Tia Smith said the "best of the best" in the tattoo and creative industry had come for the event, including people from as far as away as Canada.
She said people from all walks of life from "B-boys to rockers" had come down, with more than 40 per cent coming from out of town for the event.
Although it was primarily tā moko and tattoo artists, the show also put on taiaha performances, break dancers and even bone carving demonstrations.
Hawke's Bay woman Kristie Donovan was covered in tattoos from her neck down.
As a manager of a tattoo parlour, she said she loved the way the people could showcase their "creative vision" through body art.
She said she chose to ink up as it was a style she "appreciated a lot" and just simply loved to look at.
"People have creative license over their bodies, it's a blank canvas."
The local New Zealand Māori Arts and Crafts Institute was at the event, showcasing wood carving and weaving, as well as educating artists and attendees about the traditional meaning behind the art.
Manager Tony Thompson said there was a bit of culture behind almost every piece of art out there and it was important people were made aware.