The Masses of Anton Bruckner are extraordinary creations.
They have a hugeness of gesture, orchestration and time-scale, along with moments of naive beauty in keeping, perhaps, with a man so devout that he kept tabulated records of his daily prayers.
It was brave of Uwe Grodd and Auckland Choral to tackle Bruckner's Great F minor Mass, buoyed on perhaps by the availability of the New Zealand Symphony Orchestra.
Indeed, if one had only to comment on the orchestral component, there would be very little to ruffle critical sensibilites.
However, just 12 bars into the opening Kyrie, there was the first omen of a rough journey ahead when an over-enthusiastic choir pre-empted the orchestra by a fraction of a beat.