Paul Thomas Anderson doesn't seem capable of putting a foot wrong. He is one of the most malleable auteurs working with a filmography that spans genres, periods and subject matter, each time garnering critical praise.
The American director's latest feature, Phantom Thread, reunites him with Daniel Day-Lewis, whom he directed to Oscar-winning plaudits in There Will Be Blood.
Phantom Thread tells the story of Reynolds Woodcock, a couture dress designer in 1950s London. Day-Lewis, in what reportedly will be his last role before hanging up his coat, plays the troubled designer. It is a perfect role for the method actor, who has completely encompassed the physicality of the part.
Cold, calculating, and insular to a fault, Woodcock is only bested by his sister, Cyril (played by a deliciously curt Lesley Manville). She runs the design house and keeps a contriving hand on comings and goings, dismissing people who derail Reynolds' delicate routine — this extends to any love interests.
Enter Alma (Vicky Krieps), a waitress at a seaside hotel.