The history of the Christian church is one fraught with systemic fault-lines, brought about by a long line of fallible decision-makers pushing male-centric agendas of the age.
One particular victim of the church's patriarchal institutional flaws has been Mary Magdalene.
In his latest movie, director Garth Davis (Lion) has set about straightening some historical distortions of a woman who, only recently, has been recognised by the Catholic Church as an "Apostle to the Apostles".
Most notably, the film does not depict Mary as a former prostitute — a tenuous claim introduced by Pope Gregory in 591, that Davis was keen to dispel.
Instead, Davis' Mary appears to be a corrective to many previous depictions, aided by the quiet potency of Rooney Mara who plays her.