Clay being around 10 times cheaper to work with than glass was also a benefit for him.
He transitioned to working mainly in ceramics in 2021.
How long it took to construct a sculpture varied according to its size and complexity, Toyne said.
One of his works, a large vase he submitted for last year’s Whanganui Arts Review at the Sarjeant Gallery, took around three days to construct.
“Instead of throwing on a wheel, I hand-build with coils, so I slowly built it up.”
He said he had never thrown clay on a wheel but preferred to construct by hand, as he imagined it was more difficult to get a piece under way on the wheel.
“With this [constructing by hand] you’ve got more room for error I think, whereas with a wheel, if you’re not getting it quite right, you’ll be really out,” he said.
After the construction was complete, he then trimmed and glazed the work, adding gold lustre to it before drying it out and firing it for 24 hours.
Toyne’s work will be on display at Orphic Gallery in Drews Ave during the Open Studios weekends.
He is now working from a new studio in Whanganui East, with a kiln set to arrive from the United Kingdom.
He said Orphic was in the perfect location for people making a day of Artists Open Studios.
“We get a lot of foot traffic here, it’s the ideal spot with the [New Zealand] Glassworks and Katie Brown and Article - [it’s] got a really good hub here with a lot of places people want to see in a small area.”
Artists Open Studios takes place from March 25 to April 2. More information is available at: https://openstudios.co.nz.